Sharkeye got beaten up by the cops; they wanted to find Desirée, the Femme Fatale of the comic. And Sharkeye let her and Bob (his son) escape.
Tuesday, 27 June 2017
Sunday, 25 June 2017
It was so state of the art with new ways of technology, digitalisation and separation of patient, personnel and material (pharmaceutical) streams, that it was very, very expensive. And went bankrupt within a few years.
But even if bankrupt, and saved by the government (what else could they do), the hospital is there for the region to use.
This is the giant central atrium where all departments open into, and where all patients proceed towards the stations. On the exterior walls the corridors for personnel and medical devices are located. They ever cross.
I made this drawing while waiting for Gertie, to recover from surgery.
Thursday, 22 June 2017
Monday, 19 June 2017
Last weekend my grandson, Jake, made a nice surprise painting for his Dad, Bob. For Fathersday.
Just imagine, he's barely 18 months old.
It was just great to see him working at it, with that determination that all great artist have..... It looks like creativity jumped a generation (haha).
In the end the tape was peeled of.
You could hear him think: why did Mom destroy my beautiful abstract work?
Wednesday, 14 June 2017
I haven't posted much drawings lately. I had a dip in inspiration and preferred reading books in the present warm spring weather under our walnut tree in the back garden.
A few days ago I started drawing an eye, (of the left astronaut) in ink. Slowly, and completely unplanned I made this ink drawing. The drawing evolved under my hands.
You can find it below. Then with Gimp I added colours and a background.
You can seethe result above. It's about astronauts making a remote planet into a habitable environment. No Aliens so far.
Saturday, 3 June 2017
Wednesday, 31 May 2017
It's not a good sign to have a castle like this, it means that there were a lot of wars and gangs roaming this region. You don't need a castle when there is no threat.
An impression of the total complex, the drawing represents the central part. You have to cross three bridges to get there,.
Anyway, I decided to make this drawing today, it was nice and sunny on the terrace across the moat.
Tuesday, 30 May 2017
Sunday, 28 May 2017
Friday, 26 May 2017
I managed to make this one of the Domtoren, which used to be the highest tower of the Netherlands.
I was sitting on the terrace of an Indian restaurant, which was pure luck, because it briefly rained. Short but strong. Luckily we were covered by a canopy.
Wednesday, 24 May 2017
Stood up half an hour early to sketch this scene. Before I started I made a big coloured stain on the page, and made te drawing on top. Somehow it interferes with the drawing, which (sometimes) gives a vivid effect. A good way to loosen up the drawing style.
Sunday, 21 May 2017
I helped organizing it, my part was mostly organizing the workshops.
There were three: Christiaan Afman Veenema did "blind drawing and continuous lines", Julia Henze did Lettering of Urban Sketchers", and I did "Negative space".
The workshops were a huge success, not in the least because of the dedication of the participants. In my workshop they worked hard and concentrated, I did not make it easy.
Unfortunately I did not make pictures during the workshop, have to think about that the next time.
As teacher you don't have a lot of time left to draw, I only made 2 drawings. Will post them later.
Tuesday, 16 May 2017
The theme was "silent lives".
It reminded me of about how we wiped out our shared history of the coalmines in this region. I said it before, there is nothing left but ugly scars in the landscape.
And the miners themselves (almost all are gone now), they kept silent about that era. If I remind correctly, back then they didn't even talk about underground. As if it were 2 different worlds, below and above.
I used fibreboard, put tilemortar on it, gessoed it, then an underpainting of acrylic. Finally oilpaint,
Sunday, 14 May 2017
I kept the bottom half unpainted, the white is the gesso, to emphasise the head. The purple was chosen as contrast to her very white hair (the real background was bleak grey).
I was very pleased with the portrait, and so was Kitty.
Acrylic on fireboard, 40x60cm.
Wednesday, 10 May 2017
This coal mine has stopped for years, and is now preserved as monument to Industrial Architecture.
It's fantastic, especially the part where they used to make cokes. This scene.
The coal would be heated for hours to 180 degrees in the closets on the right, and then dumped into the water and transported.
It reminds me of my youth: there was a huge coalmine around the corner, literally (Staatsmijn Emma), and I still remember that I could see the same kind of cokes-furnaces from the bridge crossing the railroads on the Akerstraat.
Friday, 5 May 2017
My favourite composer and my all-time favourite piece of music.
This was an exceptionally good performance. I saw the same opera in Amsterdam a few years ago, in original the 1978 and even the original perfomers. And that was really 1978.
This was contemporary, abstract, with computer steered visual displays (the background images pulsate, move and change with the actual performed music, so each concert is different).
It was 3 1/2 hours non-stop repetitive music. I would go again tomorrow if Dortmund wasn't a full 2 hour drive away.
Above picture is mine, at the start of the concert, the bottom one from the site of the Operahouse Dortmund.
Wednesday, 3 May 2017
We stayed in Tetaigne, a tiny village near Sedan. Our former neighbours have a Bed & Breakfast & Dinner there, Lovely place to stay and dine. We exchanged many good stories of the old days.
On saturday we made a trip through the surroundings. Montmedy is an old military town, with a fortified citadel. The weather was good enough for a coffee on the terrace on the market square, so I had chance to draw this scene.
Thursday, 27 April 2017
Sunday, 23 April 2017
This time I took a simple sheet of plywood, and tried to paint subtle, trying to keep the wood character into the painting. Even though the resemblance is ot striking, I think it looks vivid. For a life portrait session I guess that accounts for something.
Acrylic on plywood, 50x60cm.
Wednesday, 19 April 2017
Sunday, 16 April 2017
This is Germaïn, a very good model, which we had the pleasure to paint last Saturday during live portrait painting class. It was supposed to be a two mornings session, but somehow the painting worked out so vivid, that I decided to leave it at this. I had something totally different in mind with the red background, but somehow the red appearing in parts of the face, together with the gesso-white of the fibreboard just worked out fine. Acrylic paint on wood, about 40x60cm.
Here are the earlier stages of the painting, and a picture of Germaïn (I posted this picture without his permission, I don't know how to reach him, if there is any problem I will remove it).
I show it here to show which choices I deliberately made.
Thursday, 13 April 2017
One of the things I did the last few months is (re)working this painting.
I was not content so far. I changed a few things, like trees and skin. It's done now.
If you want to see last years version, see this link.
Saturday, 8 April 2017
Thursday, 6 April 2017
Sunday, 2 April 2017
But the major feature of the musical is that the whole theatre moves and slowly turns, while the 8 stages are fixed and grouped in a 360 degrees circle. And it features real WW2 motorcycles, cars and a genuine original Dakota airplane. Fantastic.
On saturday we went to Rotterdam, where we had coffee in the Markthal, where I made this sketch.
I had forgotten my brushes: I made this with watercolour pencil, and a little water in a sponge.
Friday, 31 March 2017
if you want to see more sketches around this bridge, check this site of Roger Klaassen:
A few pictures of the group, made by Marc Liefferinge.
Above Roger Klaassen en me, below the total group.
Wednesday, 29 March 2017
I stood there with Roger Klaasen, who drew almost the same scene but is a totally different style, see here at the side. He is far better with linework than me.
And then, while waiting for the watercolour to dry, I sometimes do experiments. Like with this little sketch: made in indian ink, drawn with bamboo sticks, in maybe 5 minutes.
Monday, 27 March 2017
I joined Roger Klaasen, together we found some beautiful spots to draw.
Even though there was a cold wind, it was sunny and nice.
The drawing above is the main Cathedral of Haarlem, the St Bavo. We were sitting on a terrace while drawing this.
Thursday, 23 March 2017
Sunday, 19 March 2017
Wednesday, 15 March 2017
And it was beautiful weather: spring has arrived, soft temperatures and nice smells in the air.
During my lunchbreak walk I passed along the polling station in Elsloo, where some senior citizens were chatting with all the time on their hands. I had to return to office. Tsja.
Tuesday, 14 March 2017
A horse head, sheet glass with mixed emaille colours, and small stripes of glass on top.
Yesterday I finished the base glass, added the colours, and made the horse's manes.
Here is an image of the design, the statue will be about 30 cm high.
Friday, 10 March 2017
Modern day communication. In the 10 minutes that I made this impression he did not even move his hand or shifted in his position.
Wednesday, 8 March 2017
It's an ancient technique in which small glass particles are glued into a mold, and then heated.
It's very hard to make. I started with this technique in May last year or something like that.
This is the 4th trial of the blue bowl, and the 2nd version of the brown one.
And even though the brown one looks good on the picture, it has a deep cut in the bottom.
Keep in mind that each version cost at least 3 weeks (monday evenings in atelier) to make.
We found that the oven is probably not balanced enough for this type of heating.
I don't know if I will ever do this again.